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In weather like
today (6th), it's okay to visit an exhibition. The so-called blockbuster mega-exhibition continues.

Reporter Lee Ju-sang will introduce you.

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The
festive atmosphere is in full swing with the blue sea and blue sky and the race of yachts raising their flags on the cheerful waves.

The portrait of his wife, Emilyenne, also stands out against a vivid blue background.

A massive retrospective is being held on the 70th anniversary of the death of Raoul Duffy, a beast-taun maestro who never forgot the sea colours of his native Normandy.

[Eric Blanchegaardes/Director of the Troyes Museum: Raoul Duffy used to say, 'My eyes exist to remove ugliness.' Through this exhibition, I hope Korean audiences can also experience Duffy's world.]

Targeting hundreds of thousands of visitors, these blockbuster exhibitions with billions of won budgets are lined up.

Nearly 15,10 people attended the Leeum Museum of Art's Maurizio Cattelan exhibition, which began earlier this year, and the Edward Hopper exhibition, which began last month, has attracted well over <>,<> booked visitors since its opening.

Next month, there will be an exhibition of masterpieces at the National Gallery in the United Kingdom.

[Kim Dae-sung/CEO of Gaudium Associates: During Corona, people had a lot of cultural desires, and I think it's all erupting at once. I think the movement to see and understand original works is showing up in a huge flow.]

There are also concerns about the phenomenon of large-scale exhibitions.

[Lee Jung Ban/Art Critic: I would recommend that you see at least once every two months a special exhibition in an art museum or gallery that can show the flow of artists who are currently active.]

It means that emerging Korean artists and an understanding of various currents of contemporary art must go hand in hand.

(Video Interview: Park Jin-ho, Video Editor: Kim Jong-mi, VJ: Oh Se-kwan)