Chinanews.com, Beijing, March 8 (Liu Yue) For most viewers, the name "Han Dongjun" was first mentioned in large numbers during the broadcast of "Wuxin Master" in 2015.
"A hundred years of reincarnation has changed, and I use my blood to suppress demons." The sword-browed, star-eyed, "immortal" demon catcher Wu Xin was the "white moonlight" in the hearts of countless audiences back then.
A few days ago, the period drama "Love in Nine Bends" directed by Liu Jiacheng and written by Wang Zhili came to an end.
The bold and hearty male protagonist "Yang Shumao" in the play made many viewers shine. With the spread of keywords such as Han Dongjun's crying scene, lines, and explosive scenes, Han Dongjun, who played "Yang Shumao", also showed everyone that he is more powerful as an actor. many possibilities.
How does the guy from the Northeast show the taste of the Beijing Hutong era?
"Love in Nine Bends" is set in the 1970s and 1980s. It tells the love-hate entanglement among Yang Shumao, Ye Fei, Shi Xiaona, and Zhao Yajing who grew up in the alley together. It reflects the land of China through the growth experience of the characters. Since the reform and opening up, it has spanned nearly three decades of historical changes.
Yang Shumao, a child from a typical old Beijing family, is straightforward, loyal, and able to match him in helping others in ordinary matters, which earned him the nickname "Silly Mao".
"Shamao always makes mistakes, but this mistake is not a real mistake. He always fights people's injustices, helps people to make things right, and then pays for medical expenses. No wonder his brothers and sisters always say him when he comes up, so to say he is stupid is stupid. Here." Speaking of Yang Shumao in the early stage, Han Dongjun was overjoyed: "If you don't accept it, you can do it, and if you don't want to, you will fall. The way two people compete is wrestling. If you don't accept it, let's wrestle and see who defeats the other. In fact, it is also a manifestation of an era.”
There are always many twists and turns in life.
In "Love Full of Nine Bends", Yang Shumao has experienced the ups and downs of "Nine Bends": from jumping in the queue as an educated youth to returning to the city to enter the factory, from giving up his iron job to working hard in Guangzhou, from business prosperity to bankruptcy and freezing of funds , From being frustrated to making a comeback... As Han Dongjun said, this is a growth character.
Stills of "Love in Nine Bends".
Respondents provided
"I think this is the growth story of a small person under the reform and opening up. He went from a young guy in the alley who could only rush forward, to slowly opening his horizons, and began to be his own boss. Leaving it to the lover to take care of it, and making suggestions later, there is a change."
It is conceivable that the role of Yang Shumao is not easy to play.
It is necessary to span the decades of ups and downs of the characters, and to grasp the sense of proportion in the special era.
How can there be so many "Heavenly Chosen XXX" that fit perfectly?
The screenwriter builds the characters, the actors understand the characters, and the barriers built by those eras, regions and life experiences need actors to overcome them by themselves.
In this regard, Han Dongjun has his own seven-character mantra: listen, see, and feel.
When starting desk work in the early stage, Han Dongjun's parents were "caught young men" by him: "My parents are also born in the 60s, so I asked them about a thinking mode and way of doing things of people in that era, and young people at that time were more simple. "
"Love is full of nine bends" is a typical Beijing-style drama. The protagonist Yang Shumao was born and raised in a Beijing hutong, and Han Dongjun is an authentic Harbin man-the straightforward "Ganha" in Northeast dialect. A slightly narrow "Mani".
In order to master Beijing movies, Han Dongjun has put in a lot of effort, and he is familiar with slang words such as "juqi", "porcelain" and "let's make it".
Stills of "Love in Nine Bends".
Respondents provided
"Ambiguous, it's very interesting, 'Old Zhuan is a very arrogant person'; Porcelain, which means that I have a very good relationship with you, but basically don't say that, 'Old Zhuan I'm Tieci', I would say that; let's just say, It’s just early, and it’s not yet time. ‘When will the money come back, don’t mention it, let’s wait’.”
"There are all kinds of Beijingers. We need to understand the lifestyle of Beijingers like Yang Shumao. First of all, he is from a worker's family with many parents. He is the youngest. The tone of a kid in a hutong like him will be more effective. Features, including sometimes light and heavy accents will be overplayed, and a more leisurely way of speaking, 'today is a good day'."
"The first is to learn from it. The second is to understand what the characters in that era are like. The third is to trust the director more. Combining materials, imagination, and scripts to interpret the characters."
The role learned behind the scenes by grinding in front of the stage
The title of "Love Full of Nine Bends" is "love", family affection, love, and friendship are intertwined into the twists and turns of life.
Among them, Yang Shumao and the heroine Ye Fei's accomplishments have made people talk about it.
In the play, Ye Fei is the younger sister of Yang Shumao's childhood sweetheart, and also the lover who is willing to turn around and give charcoal when he is down.
Outside the play, Han Dongjun's candid evaluation of the actor Re Yiza made people laugh.
"What kind of actor do you think Reyza is?"
"Do I need to say that? They have won awards, and everyone knows it very well. They are very good actors. If I have the opportunity, I would like to act with Reyza. Everyone gets along, partners, and cooperates very happily. I don't know if she thinks so, you can ask her for me later."
Stills of "Love in Nine Bends"
Unlike in the drama, Reyiza is a bit slow in life, not a bright and talkative player like Han Dongjun: "I remember that when I was not familiar with her at first, she didn't talk much at all, and she would joke with you when I got familiar with you. What, but I think she is very intellectual, very understanding."
"We chat for a while in every scene. Everyone is actually prepared, but we will grind and chat. Because sometimes the chat is not good, and this matter is hard to get through. There is something in your heart that you can't figure out. In fact, it is very difficult to show a good effect. Everyone finds a balance point, otherwise one person is comfortable and one person is particularly uncomfortable, and this cannot be done.”
Compared with getting along with Reyza more comfortably, Han Dongjun tightened his strings in the face of Bi Yanjun and Sarina, who are "Father Yang and Mother Yang" in the play and "brothers and sisters" outside the play: "There will definitely be pressure, because they are all really good actors who can be called artists."
Stills of "Love in Nine Bends"
"Ms. Sa and Mrs. Bi played my parents, and my big brother and big sister. The three of us all graduated from the Shanghai Theater Academy. I not only acted with them as a partner, but also as a student to see How the senior actors acted and how they lived in the crew, this is also worth learning for our junior actors."
Adhering to the concept of "learning is earning", Han Dongjun squatted in front of the monitor when there was no play, observing the two teachers' devotion and concentration during the acting process, as well as their grasp of details: "Actually, Yang's father and Yang's mother's The characters are particularly difficult to play, and if there is a slight deviation, it will make people extremely disgusted. But they can cooperate with each other, and the interpretation is very interesting, making people think that the two parents are also very cute. This kind of degree is difficult to grasp. In fact, Very bad acting."
"Ms. Bi and Mr. Sa act very naturally, as if she is not (deliberately) acting. I think the highest state of acting is not to act, it is not performed, but naturally revealed. This is also a way I have been pursuing."
The drama is bigger than the sky, acting needs to step out of the comfort zone
After "Love in Nine Roads" was broadcast, Han Dongjun's lines were "authentic" approved by many audiences, but some drama fans gave him suggestions, which he also accepted humbly: "I think some people say that Beijingers I spoke quickly and quickly, and I didn’t articulate my words clearly, maybe I didn’t learn enough, it doesn’t matter, it’s all a process of experience and learning.”
Whether it's the polished lines or the complex layers of the characters, the results of the leapfrog challenge need to be evaluated by the audience.
Han Dongjun's personality is partly similar to Yang Shumao's: he is brave but not reckless, he sees everything as a tortuous journey, and has the courage to try boldly and not be afraid of failure.
"If the performance is not good in the end, I am actually not afraid, because acting is a thing that accumulates over time. I dare to step out of my comfort zone, I dare to challenge things that I am not very good at, and I want to accumulate my acting career. experience in acting, so we can’t say that everything is good, and we have to learn from our failures.”
Stills of "Love in Nine Bends".
Respondents provided
It is true that Han Dongjun always has a sense of faith that he will be strong when he is strong, whether it is his partner Fei Tian who is behind the scenes and Re Yiza, or the two powerful players in the opposite play.
In the desire to challenge as always, he entered the world of light and shadow that belonged to him again and again, eager to be sharpened by the whetstone of pressure.
"I am definitely under pressure, but I am not afraid. This is a rare acting experience. It is my honor to work with such a director and such senior actors. We young actors are all rushing to perform well. , it is my luck to be in such a group."
Han Dongjun's photo.
Respondents provided
It is indeed an actor's luck to work with a group of people who put their minds on the script and "the drama is bigger than the sky".
Han Dongjun said bluntly: "I don't do business very much. My company, including my friends who follow me, are also very worried. If you are not in business, what do people do? I don't care what you do. It has nothing to do with me. I just do my best and it's over." , still have to live.”
"I really can't do it, and I don't have that kind of thinking. What I can do well is to try my best to perform well." For Han Dongjun, those "watching the fun" things from the outside world must not affect his pace of progress: "I There is not much design, thinking about how to make myself more famous. Go with the flow, take it step by step, and not let everyone who trusts me down."
"For me, the love of acting has never changed. I think every play must bring something worth thinking about." (End)