Hedda Stiernstedt goes back in time in a playful but predictable story. The plot is openly and unabashedly borrowed from the Bill Murray hit "Monday All Week" Hedda plays her lead role with convincing energy and comic jerkiness, at least at first, but when the sede-learning sentenserna knock on the script door, both she and the story lose in dynamics and forward movement.
English titles are unlikely to change that. Young audiences tend to shun Swedish cinema like a carrot juice in a champagne bar.